![]() Most of these pictures were taken "from a safe distance" with the photographer going unnoticed. We encounter Alain Delon and Prince Charles, Mick Jagger and Woody Allen, Sophia Loren and Grace Kelly, Brigitte Bardot and Gina Lollobrigida at parties, on the street, at the beach and so on. The exhibition "Pigozzi and the Paparazzi" concentrates on snapshots and portraits of famous people from this era and offers us a glimpse of how the mythic aura of the stars was dismantled by showing them going about their daily lives. Inventiveness, speed and persistence, along with a touch of cheekiness-put to use at the Cannes Film Festival, or on the Via Veneto in Rome-was usually enough to guarantee good results. In the 1960's and 1970's, the "classic" era of the paparazzi, the combination of voyeurism and exhibitionism, whereby photographers lie in wait for the stars to make their public appearance, was less strident and loud. ![]() Paparazzi photography is an aggressive form of photojournalism, particularly today when the famous names in show business are hunted down and pushed into dangerous situations for the sake of getting the most interesting picture possible. Below, she helped us cull some of the decade’s most memorable paparazzi snaps - ones worthy of a museum.With the current exhibition the "bad boys" of photography are the subject of an extensive show for the first time in Germany. (You might also know her work under the handle Ryan says she admires paparazzi images for their ability to “capture the beauty and humor of the everyday.” Think of Jake Gyllenhaal scratching his back with a fork, or Kim Kardashian with a really bad sunburn. One of my favorite Instagrams to come out of the past decade is an account run by photographer Hannah La Follette Ryan. They aren’t trying to sell us anything when they get dressed for Pilates or work, but their personal style has had just as much, if not more influence than that of actual influencers for its organic strangeness. ![]() This decade also produced the enigmatic anti-Instagram star: Shia LaBeouf, Kristen Stewart, the Olsen sisters. Even Taylor Swift walking backward down a hill to avoid paparazzi is arguably more revealing than a personal Instagram. Sometimes, if all of the elements are right, they can feel stunning in their humanity - like works of art. Where does this leave us? In a twisted way, the paparazzi image now reads as somehow more real than the ones we see on Instagram. Regular people became the subject of their own, self-generated tabloid photos over the last ten years, while celebrities aimed to seem more “regular.” At the same time, as Amanda Hess points out in an essay for the New York Times, “ When Instagram Killed the Tabloid Star,” social media scrambled our understanding of who was on display. They took what we loved most about paparazzi photos - the too-much information, the shock value, the mundanity - and made it their business. The Kardashians, of course, are masters of this. Images of celebrities living their daily lives once felt scarce, but now they’re generated every minute of every day by the subjects themselves and carefully staged to their liking. After Instagram was born in 2010, the celebrity paparazzi photo lost much of its power.
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